- #Who played bass on gorillaz demon days live full
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#Who played bass on gorillaz demon days live crack
As the shows progressed however, Ike Turner's solos became more dissonant, off key and off tempo due to his addiction to crack which is not only what eventually killed him but became yet another thing which tainted his legacy. These new additions would just be the two on piano jamming, adding even more of a jazz and soul basis to the song as well as extending the track to a grand six minutes in length.
#Who played bass on gorillaz demon days live full
As the shows progressed, Ike Turner would come out earlier and play on the full track, duetting with Damon on piano to give the track a new intro and outro. At the first couple shows, Ike Turner would come out at the end to deliver an amazing piano solo and then leave. "Every Planet We Reach Is Dead" has only been played live a couple times, all at the "Demon Days Live" showcases. The track is "dead", the planet is "dead", and everyone's spirits die along with them. Soon the drums and African musicians play us out, and the track quietly dissolves into nothingness.
After almost two minutes of this he quiets down for the last time, only playing plaintive chords with the string section.
During this, Morgan Nicholls is the only sane player in the band, his bass playing providing a rhythmic basis amongst everyone's craziness. He leads the band like they are in a jazz club, when he gets quiet the band does too, and when he gets loud and dissonant, the multi-layerd chaos returns. On this track he delivers his last great performance, a piano solo which spans the entirety of the track's outro. His legacy became tainted after years of physical abuse towards his wife and singing partner, soul singer Tina Turner. Ike Turner was one of the first pioneers of rock 'n' roll and was a brilliant guitar player. However, the leader of all this chaos is Ike Turner on the piano. Instrument feedback consumes the track and a string section comes in to provide more insanity. Cass Browne's drumming gets more intense, Damon's guitars and synths get more dissonant and noisy. But what exactly is Damon preaching to the choir?Īs the band realizes there is nothing they can do, so the track falls into chaos. The London Community Gospel Choir soulfully sing backing vocals underneath him, as if Damon is a preacher in a post-apocalyptic chapel in an hour of need. Damon's falsetto vocals bring out the jazz and soul undertones of the track and make them more of a center point among the track's post-punk craziness. Morgan Nicholls' bass guitar doubles Damon's vocal melody, a technique commonly used in old jazz recordings. There are a multitude of layers of synthesizers Damon added which provide chordal bases and countermelodies bringing in an element of no wave & spaciness to the track. The wah wah soaked electric guitars Damon plays evoke both smooth soulful funk players as well as post-punk noise driven players during the song's many freak outs. There's elements of old school blues & jazz in the percussion with it's stomping beat provided by Cass Browne's drums & various percussive elements such as hand claps and a Brazilian Cuica drum provided by some African street performers Damon found while recording in their country. Of all the Gorillaz songs to merge genre, this one seems to encompass the most eclectic elements from different areas. The instrumental for this song is grand with many details hiding beneath the surface.